James Ellis Deakins

James Ellis Deakins is the creative work partner of Roger Deakins. Born on the east coast of the United States, she double majored in college in Latin and Greek, doing a graduate course in Latin as an undergraduate. Once out of school, she began her film work in New York City as a film lab technician at DuArtFilm Laboratories and then a script supervisor in production. After moving to Los Angeles, she met Roger Deakins on a film set and their creative collaboration began. Eventually relinquishing the role of script supervisor to more fully enter into their collaborative partnership, she and Roger developed their unique working style which has continued to evolve as they enter into new enterprises including a podcast (“Team Deakins”), a website and a book of still photography. James’ natural affinity with technology proved essential when productions moved from the use of film capture to digital. Team Deakins create their approach and plan to a film together. James oversees the many details that need to be coordinated which allows Roger to focus on capturing the visual. Working together, James and Roger have strived to create memorable images as well as share their knowledge with others.

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Dante 360 opening this weekend!

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Come on out tonight!

An Evening with Dennis Quaid

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Dante 360

Midway upon the journey of our life, I found myself within a forest dark, for the straightforward pathway had been lost.” 

And so we all begin—in darkness.

Join Dante on his most famous journey through the depths of hell, levels upon levels of purgatory, finally discovering the light and glory of paradise. You will find terror in the wild beasts he meets along the way; and only moments later great hope at the strong woman, Beatrice, who leads him always upwards.

This contemporary staged performances of one of the most epic stories of the western world is an immersive, multi-dimensional production that leads you into Dantes universe. Returning to the stage for the 4th year, this year’s production.

Its heaven. It’s hell. But above all, it’s worth the trip.

November 8–10, 2024