Ashley LaLonde

Ashley was recently seen in the hit Broadway musical Hamilton, where she covered all three Schuyler Sisters (Eliza, Angelica, and Peggy/Maria) on the national tour. In addition to Hamilton, Ashley has appeared in several world premiere musicals and plays, including The Black Clown (Lincoln Center), Blood Work (National Black Theatre), Burn All Night (A.R.T.), and Punk Rock Girl (Argyle Theatre). Other favorite credits include Deena in Dreamgirls (WPPAC), Natalie in Next To Normal (Westport Country Playhouse), and Sheila in Hair (Connecticut Stage Company). She’s performed at Carnegie Hall, Lincoln Center, Sony Hall, 54 Below, and more, recently debuting her hit solo show to a sold-out audience at the Green Room 42. Ashley’s making her TV debut in a highly-anticipated upcoming Netflix limited series. She made history as the first ever Black woman to star in the Hasty Pudding Show at Harvard, where she graduated early with a bachelor’s degree in Sociology, a minor in Theater, a certificate in Spanish, and an award for Artistic Excellence in Musical Theatre. In addition to her artistic career, Ashley is a sociological researcher with the Barna Group, where she writes on the intersection of faith and culture.1 John 4:16.

For more info, head to ashley-lalonde.com or @ashleylalaa on instagram.

Ashley LaLonde-Headshot

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Dante 360 opening this weekend!

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Come on out tonight!

An Evening with Dennis Quaid

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Dante 360

Midway upon the journey of our life, I found myself within a forest dark, for the straightforward pathway had been lost.” 

And so we all begin—in darkness.

Join Dante on his most famous journey through the depths of hell, levels upon levels of purgatory, finally discovering the light and glory of paradise. You will find terror in the wild beasts he meets along the way; and only moments later great hope at the strong woman, Beatrice, who leads him always upwards.

This contemporary staged performances of one of the most epic stories of the western world is an immersive, multi-dimensional production that leads you into Dantes universe. Returning to the stage for the 4th year, this year’s production.

Its heaven. It’s hell. But above all, it’s worth the trip.

November 8–10, 2024